[Pixel]<Tioga>Beach>Thesis>IndexTwoColumn.tioga!8

Index.Tioga

Last edited by Rick Beach, May 7, 1985 11:24:22 am PDT

INDEX

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abstract document object model, 2-39, 6-2

acquisition editor, 2-8, G-1

Adobe Systems Inc., 2-14

aesthetics, 1-9, 4-2, 4-4, 4-7, 4-19, 5-5, 5-8, 5-20, 6-3, 6-5

Alexander, George A., 2-8, 2-26, 2-32, R-1

algorithm

dynamic programing, 2-31

enumerate area, 5-30, 5-31—5-32, 5-33, 5-45

graphics rendering, 3-15, 3-16

hit testing, 5-32—5-33

hyphenation, 2-30

incremental formatting, 2-32

Janus packer, 2-35

line breaking, 2-30, 2-31, 2-34, 3-5, 5-19

minimal repainting, 6-2—6-3

optimal page breaking, 2-30, 2-31, 4-14

page breaking, 2-21

painter's, 5-29

Simplex method, 5-37

table entry deletion, 5-32, 5-33—5-35, 6-2

table entry insertion, 5-32, 5-35, 6-2

table layout, 5-30, 5-32, 5-44—5-45

table rendering, 5-30, 5-32

alignment, 4-7

baseline, 3-16, 4-9, 5-18—5-19

bottom baseline, 5-16, 5-18

centered, 3-16, 5-16—5-18, 5-24, 5-39, 6-3

centered baseline, 5-16, 5-18

character, 5-17, G-1

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alignment (continued)

constraints, 5-38

decimal point, 4-3, 4-8, 5-8, 5-16, 5-17, 5-19, G-2

flush bottom, 3-16, 4-8—4-9, 5-16—5-18, G-3

flush left, 3-16, 4-8, 5-16—5-18, 5-39, G-3

flush right, 3-16, 4-8, 5-16—5-18, 5-39, G-3

flush top, 3-16, 4-8—4-9, 5-16—5-18, G-3

horizontal, 4-7, 5-11, 5-17, 5-37, G-4

mathematical equations, 4-8

point, see alignment point

tab stops, 4-17

top baseline, 5-16, 5-18, 5-24

vertical, 4-7, 4-8, 5-11, 5-37

whitespace balancing, 5-19

alignment point, 5-9, 5-11, 5-14, 5-27, 5-30, 5-37, 5-39

Allman, Eric, 2-26

AMS lecture by Knuth, 2-31

ANSI, 3-6, R-2

anthropomorphism, 2-6

APL/66, 1-6, R-1

archiving tools, 1-5

ARPANET, 2-29

arrows, 3-3, 3-17

artist procedure, 5-9

ArtworkClass property, 3-9—3-12, 3-19, 5-21

ArtworkFileName, 3-12

ArtworkImage, 3-12

ArtworkNode, 3-10

ArtworkPath, 3-12

Table, 5-21

Aspvall, Bengt, 5-37, R-2

author's alteration, 1-3, 2-38, G-1

author, 1-2, 2-2, 2-4, 2-7, 2-8, 2-10, 2-11, 2-22, 2-27, 2-38—2-39, 3-2, G-1

Bezier parametric cubic curves, 3-12, 3-13

back matter, 2-3, G-1

background tints, 4-12, 4-13, 5-2, 5-22, 5-23, 5-24, 5-27, 5-28, 5-31, 5-46

backslash character, 2-20, 2-24

Baker, 5-4, 5-6, R-2

balancing whitespace, 5-19, 5-20, 5-40, 5-43, 6-3

Barnett, Michael P., 2-19, 4-3, R-2

baseline alignment, see baseline alignment

Baskerville typeface, 2-18, 2-38

batch processing, 1-8, 4-19

Baudelaire, Patrick, 3-5, R-2

Beach, Richard J., 1-5, 1-9, 2-6, 2-19, 2-20, 2-21, 2-28, 3-1, 3-17, 3-18, 5-12, R-2

bearoff distance, 4-10, 4-13, 5-3, 5-16, G-1

Beatty, John C., xi, 3-5, R-2

Bell, Edward, 1-10, R-2

Bell Laboratories, 2-23, 2-26

Berg, N. Edward, 2-19, R-2

bibliographic references, 2-25, see also troff, refer

Biggerstaff, Ted, 2-27, 4-19, 4-20, R-2

BIN PACKING PROBLEM, 5-5

binder, 2-14

binding gutter, 4-15

bitmap illustrator, 3-5

blank lines, 4-4

blue and white technical reports, 3-9

blue lines, 2-13, G-1

bold typeface, 4-10, 5-17

book designer, 3-3

Booth, Kellogg S., xi, 2-6, R-2

border patterns, 3-17. 4-12, 6-2

Borning, Alan, 5-35—5-36, R-3

bounding box, 3-16, 3-18

box head, 4-4, 4-5, 4-16, 4-18, G-2

boxes and glue model, 2-30, 2-31, 4-19, 5-9, G-2

Bozman, W.R., 2-19, 4-3, R-3

braces within tables, 4-12

Brader, Mark S., xii, 2-20, 2-24, R-3

Bravo text editor, 2-37, R-5

breaking tables, 4-14

broadside tables, 4-15, G-2

brought forward totals, 4-15, 6-3, G-2

business graphics, 3-5

C programming language, 3-5

Cargill, Tom, 2-18, 2-40, R-3

Carlsen, Chester, 5-10

Carmody, S., 1-4, R-3

carried forward totals, 4-15, 6-3, G-2

Cedar, 1-2, 2-17, 2-37, 3-1, 3-7, 3-12, 5-20, 5-25, 6-1, R-7

CedarGraphics, 3-1, R-7, see also device independent graphics package

centering, 4-16, G-2

Chamberlin, David, 2-35, R-3

Chaucer's Lyrics and Anelida and Arcite, 1-5, R-6

chemical formulae, 1-4

Cherry, Lorinda L., 2-5, 2-25, 2-28, R-3, R-4

Chicago Manual of Style, The, 1-10, 2-2, 2-5, 4-2, 4-11, R-1

coder, 2-12

Coffman, 5-6, 5-7, R-3

color printing, 2-14, 2-18, 6-2

color separations, 2-14

column headings, vertical, 4-15

column hierarchy, 5-12—5-13

column structure, 4-4, 5-2

column style, 4-10

column width, 4-4

command character, 2-24

commercial typesetting, 2-21, 2-26

Communications of the ACM, 2-26, 5-2

complexity of table formatting, 5-3—5-9

compositor, 2-11, 2-12, 2-15, 2-16

compressed typeface, 4-13

Computer Graphics Laboratory, xi

computer programs, typesetting of, xii, 1-6, 2-8, 3-2

computerized typesetting, 1-9, 2-19

Computing, 3-3, R-3

consistency among illustrations, 2-12, 3-1, 3-4, 3-19

constraint satisfaction, 5-16, G-2

constraint solver, 2-31, 5-1, 5-14, 5-30, 5-37—5-42, 6-1, 6-4, G-2

linear constraints, 5-36

nonlinear constraints, 5-36

objective function, 5-38, 5-40

constraints, in table prototype, 5-22

continuation headings, 4-14—4-15, 4-18

copy editor, 2-2, 2-4, 2-8, 2-10, 2-11, 2-15, 2-16, G-2

copy fit, 2-12, G-2

Corliss, C.H., 2-19, 4-3, R-3

corner stitching, 5-24—5-28, 6-2, R-6

Cedar implementation, 5-26, 5-32

coordinate system, 5-26

data structure, 5-24—5-28

enumeration algorithm, 5-31

neighbor finding algorithm, 5-32

point finding algorithm, 5-32

tesselations, 5-26, 5-27

tiles, 5-26, 5-27

corrections, 1-8

cross references, 1-3, 1-4, 1-8, 2-10, 6-2

Crow, Frank, 3-5, 3-19, R-3

Dantzig, G., 5-37, R-3

data structure, 2-24, 2-28, 2-35, 2-40, 3-2, 5-2

database, 1-4, 2-29, 2-30, 2-40, 4-3

DCF (Document Composition Facility), 2-35, R-1

debugging, 2-23

DEC PDP-11, 2-27

decimal point alignment, see alignment, decimal point

decorations, 5-2, 5-14, see also ornaments

delimiters, 2-24, 2-25

design, 2-22

device resolution, 2-18, 2-38, 5-11, 5-31

device-independent graphics package, 5-11, 5-30

device-independent troff, 2-24

diction analysis, 1-7, 2-11

difficult copy, 2-5

display screen, 2-18, 2-23, 2-38, 3-6, 5-11, 5-31, 5-32

displayed equations, 2-25

ditroff, 2-24

diversions, 2-27, 2-28, see also traps

document compilers, 1-9, 1-10, 2-22, 2-23, 2-24, 2-28, 2-29, 2-35—2-37, 2-38, 3-1, 3-3, 3-6, 3-9, G-3

Document Composition Facility (DCF), 2-35

document formatter, 2-20, 2-22, 2-25, 2-30, 2-31, 3-4

document interchange, 5-21

document layout, 2-31

document models, 2-1, 2-39, 5-46, 6-1, G-3

document object, 3-10, 5-3, 5-9, see also layout procedure, and rendering procedure

document structure, 2-34, 2-39, 5-3, G-3

document style, 1-7, 1-9—1-10, 2-22, 2-26, 5-1, G-3

documents, 1-2, 2-22, G-2

electronic, 1-1

dot leaders, see leaders

draft manuscripts, 2-8. 2-9, see also manuscripts

draftsman, 1-8, 3-2, 3-3

Draw illustrator, 3-5

drop shadows, 3-17—3-18

Dyck, V.A., xii, 1-5, 3-2, 3-3, R-3

Dyment, Doug, 2-6, R-3

dynamic programming, 5-5

editing, 2-24, 2-35, 2-37, 2-40, 3-6

editor, G-3

acquisition, 2-8

aids, 2-8

Bravo, 2-37, R-5

editor (continued)

copy, see copy editor

journal, 2-8

production, 2-2, 2-4, 2-8, 2-9

text, 2-8

Tioga, see Tioga

electronic composition tools, 1-2, 1-5

lack of integration, 1-5, 2-5

electronic documents, 1-1, 5-1

Engelbart, Douglas C., 1-4, 2-20—2-21, 2-32, 2-40, 3-7, R-3

eqn, 1-6, 1-7, 2-25, 2-26, 3-2, 4-18, 4-19, 5-9, 5-17

neqn, 2-26

syntax checker, 2-23

equal width columns, 4-7, 4-9, 5-20, 5-22, 5-40, 6-3

equation solver, see constraint solver

Etude, 2-1, 2-34, 2-35, 2-39, 3-9, R-4

expert systems, 1-10, 6-1, 6-5

facing pages, 2-16, 4-15

figure caption, 4-6

filter/pipe model, 2-25

final pages, 1-8, see page repros

fixed width characters, see monospaced fonts

flowing between table entries, 4-6

flush bottom alignment, see alignment, flush bottom

flush left alignment, see alignment, flush left

flush right alignment, see alignment, flush right

flush top alignment, see alignment, flush top

folding table entries, 4-6, 4-9, 4-14, 4-17, 4-18, 5-17, 5-20, 5-43, 6-3

foldout plate, 4-15, G-3

footnotes, 1-8, 2-16, 2-18, 2-27, 6-2, G-4

in tables, 4-7, 4-10, 4-12—4-13

foreign languages, xii, 1-4, 2-10

form versus content, 1-1, 1-10, 2-29, 2-30, 2-34, 3-7

format codes, 2-12, 2-15, G-3

formatting commands, 1-5, 2-22, 2-36, 2-39, 3-6, 3-9

formatting rule, 4-6

formatting tags, , 2-22, 2-23, 2-24, 2-36

FORTRAN77, 1-5, R-3

foundry type, 2-13, G-3

fractions, 2-26

front matter, 2-3, 2-8, G-3

Fundamentals of Modern Photocomposition, 2-19, 2-21

furniture, 2-13, G-3

Furuta, Richard, 1-9, 2-18, 2-20, 2-24, R-3

galleys, 1-3, 2-8, 2-21, G-3

Garamond typeface, 2-18, 2-38

Garey, 5-4, 5-5, R-4

Generalized Markup Language, see GML

Gentleman, Morven W., xii, 2-6, R-2

geometric representation, 3-12—3-15, 3-17, 3-18

geometry, 5-3

George, Alan, 1-7, 3-2, R-4

GKS (Graphical Kernel System standard), 3-6, R-2

gloss, 4-10, G-3

glue, 3-10

GML (Generalized Markup Language), 2-35, R-1

GOB illustrator, 3-5, 6-2, R-7

Goines, David Lance, 5-15, R-4

Good, Michael, 2-34, R-4

GPM (General Purpose Macroprocessor), 2-28, R-7

graphic artists, 1-3, 3-20, G-3, see also graphic designer

graphic arts, 1-3, 2-28, 2-35 2-40, G-3

standards of quality, 1-3, 1-4, 1-6, 1-8, 1-9, 3-2

graphic design, 2-1, 2-2, 3-4, 6-4, G-3

graphic designer, 1-6, 2-2, 2-6, 2-8, 2-10, 2-11, 2-12, 2-13, 2-15, 2-16, 2-22, 3-3, 3-4, 3-20, G-3

Graphical Kernel System standard (GKS), 3-6, R-2

graphical resources, 2-27, 2-36

graphical style, xi, 3-1, 3-6, 3-17, 3-19, 3-20, 6-1, G-3

graphics package, 5-11

graphics parameters, 3-6

grid coordinate system, 5-13, 5-14, 5-21, 5-24

grid design, 5-1, 5-14, 5-15, 6-2, G-3

grid overlay, 5-22—5-23

GRID PACK, 5-4, 5-8

grid systems, 5-14, 5-46, 6-1

Griffin illustrator, xi, 3-3, 3-5, 3-6, 3-14, 3-18, 3-19, 5-10, 6-2

grouping data, 4-10, 4-13

Gruhn, Ann M., 2-26, R-4

gutter, 4-10, 4-12, 4-15, G-3

hairline rule, 4-11, G-4

halftone, 2-6, 2-13, 2-19, G-4

halftone screens, 2-6, 2-13, 4-12

halign, in TEX, 4-19

Hammar, Michael, 2-34, R-4

Handbook of Computer-Aided Composition, 1-6, 2-19

Helvetica typeface, 3-15, 4-13, 5-17

Hewitt, Carl, 5-9

hierarchical data structure, 2-34, 2-39—2-40, 3-7—3-11, 3-13, 3-16—3-18, 3-19, 5-12

hierarchical document models, 1-4, 5-13

high-quality illustrations, 1-1

high-speed typesetters, 2-21

horizontal alignment, see alignment, horizontal

horizontal rule, 4-6, 4-11, 4-18, 4-19, 5-7, 5-14, 5-28, see also typographic rules

hot metal, 2-5, 2-19, G-4

house style, 2-2, 2-10, G-4

human vision, 4-7

Hurlburt, Allen, 5-15, R-4

Hypertext, 1-4, R-3

hyphenation, 2-16, 2-23, 2-30, 2-31, 4-7, 5-20, G-4

IBM 1130, 2-19

IBM 709, 2-19

IBM 7090, 4-3

IBM research, 2-34

ICCH3 (International Conference on Computing in the Humanities, 1977), xii, 1-6

ideal, 2-25, 2-26, 2-27, 3-1, 3-5, 5-36, R-7

idiomatic graphics, 3-5

illustrations, xii, 1-8, 2-24, 2-25, 2-27, 2-29, 2-30, 2-35, 2-36, 2-39, 3-1—3-7, 3-9—3-12, 3-15, 4-6, 5-2

hierarchical structure, 3-10

high quality, 1-1, 1-8

line drawings, 1-1, 1-3, 1-4, 2-8, 2-12, 2-23, 2-26, 2-27, 2-34, 2-35, 2-37, 3-1, 3-2, 3-6, 3-18, 5-10

photographs, see illustrations, scanned

scanned, 1-1, 1-3, 1-4, 2-23, 2-30, 2-33, 2-35, 2-37, 3-1, 3-12, 3-19, 5-10

sketches, 2-11, 3-12—3-13

spelling checker within, 2-7

in tables, 4-6, 5-9, 5-10

three-dimensional, 3-1

illustrator, 2-8, G-4

bitmap, 3-5

Draw, 3-5

GOB, 3-5, 6-2

Griffin, see Griffin illustrator

Juno, see Juno illustrator

Markup, 3-5

Picc, 3-5

Picture, 3-5

Ilson, Richard, 2-34, R-4

image environment, 3-5, 3-19, R-3

imaging model, 5-30, see also device-independent graphics package

imposition, 2-13, G-4

imprint page, 2-3, G-4

Incense graphical debugger, 5-9, 5-36

incremental formatter, 2-20, 2-24

indexer, 2-8, 2-11, G-4

indexing tools, 2-11

indicies, 1-8, 2-3, 2-8

inputter, 2-12

integrated document composition, 1-9, 2-33—2-37, 6-1

interaction issues, 2-34, 6-4—6-5

interactive design tools, 2-27, 2-35, 4-4, 4-19, 6-1, 6-2, 6-4—6-5

interactive table formatter, 4-19, 5-33, 6-4

Interpress, 2-14, R-1

intersecting rules, 5-28—5-29

ISSCO, 3-5

italic typeface, 1-11, 4-10, 5-17, G-4

jacket, 2-3, 2-10, 2-14, G-4

JACM style, 1-10

Janus, 2-1, 2-33, 2-34, 2-35, 2-39, 3-9, R-3

job docket, 2-2, 2-10

Johnson, S.C., 1-10, 2-26, R-4

journal editor, 2-8, G-4

Juno illustrator, 3-5, 3-20, 5-36, 6-2, R-5

Kahn, Kenneth M., 5-9, R-4

Kernighan, Brian W., 2-5, 2-24, 2-25, 2-28, 3-5, 5-36, R-4

kerning, 2-13

keyboarder, 2-12, G-5

Khachiyan, L.G., 5-37, R-4

Kimura, Gary, 2-39, 6-2, R-4

Knott, Cargill Gilston, 4-13

Knuth, Donald E., 2-24, 2-30, 2-31, 2-32, 3-12, 3-15, 4-4, 4-19, R-4, R-5

lack of integration, 2-7

Lamport, 2-31, 4-19, R-5

Lampson, Butler W., 2-37, R-5

lanuage usage, 2-10, 2-11, 2-16

large tables, 4-10, 4-13—4-16, 5-43—5-44, 5-46

laser printers, 2-24, 2-38, 4-11, 4-12, 5-31

LaTEX, 2-31, 4-19, R-5

layout procedure, 3-10, 3-16, 5-3, 5-9, 5-11, 5-20, 5-22, 5-30, 5-44, 5-45

leaders, 4-7, 4-12, G-5

Leith, Robert, 2-13, R-5

Lesk, M.E., 1-9, 2-25, 2-26, 4-17, R-5

letter form design, 5-15, G-5

letterspacing, 2-16, G-5

Liang, Frank, 2-30, R-5

Library of Congress, 2-3

lifetime of illustrations, 3-4

line breaking algorithm, 2-30, 2-31, 5-19, G-5

line breaks, 4-7

line drawings, see illustrations, line drawings

line length hint, 5-20

line printer, 4-7, 4-16

line weight, 2-12

linear inequalities for table layout, 5-36

LINEAR INEQUALITY problem, 5-37, R-2

linear inequality solver, see constraint solver

linear optimization, 2-31

LINEAR PROGRAMMING problem, 5-37

lineup, 5-17

Linofilm phototypesetter, 4-3

Linotype, 4-11

Lipke, Daniel E., 2-36, 3-6, R-5

Liu, Joseph W-H., 1-7, 3-2, R-4

Lusignan, Serge, 1-6, R-5

Macdonald, Nina H., 2-8, R-5

macro packages, 1-9, 1-10, 2-26, 2-28, 2-29, 2-35, G-5, see also troff, -me and troff, -ms

macro processor, 2-22, 2-27, G-5

macros, 2-24, 2-25, 2-27, 2-31

MacWrite, 2-38

manuscripts, 1-2, 2-8, G-5

mark, 5-17

marking up, 2-22

Markup illustrator, 3-5, R-6

master image, 2-13, G-5

mathematical composition, 2-5, 2-23, 2-24, 2-26, 2-28, 2-35, 2-36, G-5

mathematical notation, xii, 1-2, 1-4, 1-5, 1-6—1-7, 2-6, 2-33, 2-34, 3-2, 3-12, 4-1, 4-6

alignment of, 4-8, 5-17, 6-4

formatter, 2-25, 2-28, 2-30, 2-31

in tables, 4-6, 4-18, 4-19, 5-2, 5-17

two-dimensional nature, 5-11

typesetting, 2-12, 2-31

matrix notation, 2-28, 3-3, 6-4

mechanical artwork, 2-13, G-5

media, using different, 3-1, 3-4, 3-19, 6-2

METAFONT, 2-31, 3-15, R-5

metal type, 2-13

micros, 2-26

MIT Press, 2-2

MIT, 2-19, 2-34

Monier, Louis, 2-30, R-5

monospaced fonts, 1-6, 2-8, 2-24, 3-2, 4-7, 4-16, G-5

Monotype, 2-5, 4-11

moveable type, 1-2, G-5

Muller-Brockman, 5-15, R-5

Myers, Brad, 5-9, 5-36, R-5

NBS, 2-19, 4-3

Nelson, Greg, 3-5, 3-20, 5-36, R-5

Nelson, Ted, 1-4, R-6

neqn, 2-26, see also eqn

Newman, William M., 2-3, 3-5, R-6

NEWSWHOLE, 5-16, 6-4, R-7

NLS, 1-4, 2-20, 2-21, 2-33, 2-37, 2-39, 2-40, 3-7, 3-9, R-3

nonhierarchical tables, 5-12, 5-13

nonlinear constraints, 5-36

NP-complete, 5-4—5-5

nroff, 2-24, see also troff

object-oriented programming, 3-10, 4-19, 5-1, 5-9, 5-10, 5-21

office documents, 3-6

offset shadows, 3-17—3-18

One Book/Five Ways, 2-2, 2-4, 2-5, 2-16, R-1

ornaments, 4-12, 5-29

Ossanna, Joseph F., 2-20, 2-24, R-6

Ousterhout, John K., 5-25, 5-33, R-6

overhead transparencies, 3-4

overlapping table entries, 5-28—5-29, 5-46

page breaking, 2-21, 2-27, 2-31, G-5

page dummies, 2-6, G-5

page layout, 2-6, 2-21, 2-24, 2-27, 2-35, 4-1, 4-6, 4-12, 4-15, 5-1, 5-11, 6-2, 6-4, G-5

page makeup, 2-16, 4-4, 4-11, 4-12

page proofs, 2-11

page repros, 2-3, G-5

PAGE-1, 2-21, 2-28, R-6

pagination, 1-8, 2-23, 2-24, 2-28, 2-30, 2-31

paint program, 2-6, 3-18, R-2

painter's algorithm, 5-29, G-5

panel, of table, 4-5

paragraphs within tables, 5-19

parallel processes, 2-6

PARTITION PROBLEM, 5-4—5-5

PASCAL, xii, 1-5, 2-35, 3-2, R-3

paste-up artist, 2-13

paste-up, 2-21, 3-19

Paxton, William, xi, xii, 2-11, R-7

Peck, Russell A., 1-5, R-6

pen plotters, 3-2

penalty copy, 2-5, G-5

Phillips, Arthur H., 2-19, 4-1, 4-2—4-3, 4-4, 4-14, R-6

photographs, 2-13, 5-4, 5-10, see also illustrations, scanned

Photon 560, 4-3

Photon 737, 2-19, 2-21

Photon Econosetter, xii, 2-21

phototypesetters, 2-5, 4-11, 4-12, G-5

pic, 2-25, 2-26, 2-27, 3-1, 3-5, 4-18, 5-36

Picc, 3-5, R-7

picture description languages, 3-5

Picture illustration system, 3-5, R-2

Pierson, John, 2-21, 2-28, R-6

Plass, Michael F., xii, 2-30, 2-31, 4-5, 4-14, R-6

polynomials, alignment of, 4-8

PostScript, 2-14, R-1

pregnant pause syndrome, 1-8

preprocessors, 2-25, 2-26, 2-28, 2-30, see also troff

Press print file format, 2-37

Principles of Interactive Computer Graphics, 2-3, R-6

printing plates, 1-2, 2-13, G-6

printing systems, 1-2

process camera operator, 2-13

production difficulties, 1-8

production editor, 2-2, 2-4, 2-8, 2-9, G-6

PROFF, 2-19, 2-21

proofreading, 1-5, 1-6

property sheet, 3-6, 6-2

prototype

TABLE, see TABLE interactive formatting prototype

table, see table, formatting prototype

TiogaArtwork, see TiogaArtwork

punctuations, 2-16

RANDOM PACK, 5-4—5-5, 5-6

raster images, see illustrations, scanned

RCA Videocomp, 2-21

readability, 4-4, 4-7, 4-13, 4-15, 5-5, 6-3

recomputing constraint system, 5-36

refer, 2-25

referees, 2-9

Reid, Brian, 1-9, 2-22, 2-29, R-6

rendering procedure, 3-10, 3-16, 5-3, 5-9, 5-11, 5-28, 5-30—5-31

reproduction pages, 2-3, G-6

resolution

device, 2-18, 2-38, 5-11, 5-31

typesetters, 4-7

Reston Publishing Co., 3-3, 3-20

reviewers, 2-9

Ritchie, Bob, xi

Ritchie, Dennis, 2-24, R-6

Rosenthal, David, 2-27, R-6

row depth, 4-4

row hierarchy, 5-12—5-13

row structure, 4-4, 5-2

row style, 4-10

rules, see typographic rules

running head, 1-7, 2-13, 2-21, 6-2, G-6

RUNNOFF, 2-20, 2-21, 4-17, R-6

Saltzer, J., 2-20, R-6

sample pages, 1-10, 2-6, 2-16, G-6

scanned images, see illustrations, scanned

scholarly publishers, 4-11

Scientific American illustrations, 1-10, R-2

Scribe, 1-9, 2-1, 2-20, 2-22, 2-24, 2-28, 2-29, 2-34, 2-39, 4-16, R-1, R-6

selection hierarchy, 5-2, 5-12—5-13, 5-24, 5-46

selection mechanism, 4-20, 5-1, 5-2

separations, 2-14

Seybold, John W., 2-19, 2-21, 2-36, 2-38, 4-7, R-6

shadows, 3-17—3-18, 6-2

Shand, Mark, 5-25, 5-32, R-6

Shaw, Alan C., 2-39, R-4

shift codes, 2-19

Shiloach, Yossi, 5-37, R-2

SIGGRAPH'83, xi, 3-1

signatures, 2-13, 2-14, G-6

Simplex method, 5-37

Sketchpad, 5-35, R-7

slack variables, 5-36

Smith, David Canfield, 2-36, R-6

spanning heads, 4-5, 4-7, 4-9, 4-10, 4-13, 4-16, 4-17, 5-2, 5-8, 5-12, 5-14, 5-21, 5-24

sparse matrices, 1-7, 3-2

special settings, 2-16

specification sheet, 2-10

spelling checker tools, 1-7, 2-7, 2-9, 2-11, 2-25, 2-40

spelling, 2-10, 2-17

Canadian versus American, 2-17

spreadsheets, 1-7, 4-3, 4-15, 4-16, 6-3

Sproull, R.F., 2-3, R-6

square table entries, 5-15, 5-43, 6-3

statistical tables, 4-14

Stevens, Mary Elizabeth, 4-3, R-7

Stone, Maureen, xi, 3-1, 3-5, 3-17, 5-10, R-2

Strachey, C., 2-28, R-6

stripper, 2-13

stub heads, 4-14, 4-16, G-6

STUB PACK PROBLEM, 5-6—5-8

style, 1-2, 1-9, 2-16, 2-17, 2-24, 2-25, 2-26, 2-27, 2-9, 2-35, 2-36, 3-5, 3-9, 3-20, G-6

analysis aids, 2-11

book, 1-6, 2-16, see also style, manual

control, 2-28

consistency, 2-12, 3-1, 3-4, 3-19

definition of, , 2-22

dictionary of style rules, 3-8, 3-18, 3-20

document, see document style

graphical, see graphical style

guidelines, 3-4

house, 2-2, 2-10

lifetime, 3-4

machinery, 5-3

manual, 1-10, 6-5

publisher's, 2-16

rules, see style rule

sheet, 2-10, 2-12, 2-22, 6-4

for tables, 4-10, 4-18, 5-16—5-19

style rule, 3-12, 4-6, 5-3, 5-16

search path for applying to table, 5-16

subscripts, 2-26

superscripts, 2-26, 4-13

Sutherland, I.E., 5-35, R-6

symbolic algebra, 1-7

syntax checker for eqn, 2-23

systems of equations, alignment of, 4-8

tab stops, 4-16—4-17

table, 4-1, G-6

alignment, 5-2

box head, 4-5, 4-6

broadside, 4-15

entry, see table entry

formatting of, 2-24, 2-25, 2-27, 2-28, 2-30, 2-33, 2-34, 2-35, 2-36, 2-39, 3-12, 3-19, 4-3, 4-4, 4-17—4-18, 4-19, 6-1

formatting prototype, 5-10, 5-13, 5-45, 6-1, 6-2

geometry, 4-4, 5-46

layout, 4-4, 5-1, 6-4

manuscript preparation, 2-5

nonhierarchical, 5-12, 5-13

object representation, 5-22—5-23, 5-26, 5-27

panel, 4-5, 4-6

reduced typesize, 4-13

spanning heads, 4-5, 4-6

stub, 4-5, 4-6

style, 4-18, 5-2

topology, 4-4, 5-13, 5-14, 5-21, 5-25, 5-33

upright, 4-15

vertical rules in, 2-5

table entry, 4-6, 4-18, 5-33, G-6

data structure, 5-28

overlapping, 5-28—5-29

TABLE interactive formatting prototype, 2-27, 4-19—4-20, R-2

tableau of constraints, 5-36

tables of contents, 1-3, 1-7

tables of numeric data, 1-7, 4-2, 4-3

TABPRINT, 4-3—4-4

tabular composition, 1-7—1-8, 2-23, 2-31, G-7

tabular information, 1-1, 1-2, 1-4

tag definition, 2-22

tags, formatting, see formatting tags

tbl, 2-25—2-27, 2-33, 4-17—4-18, 4-19, 4-20, 5-8, 5-12, 5-19, 5-20, R-5

Teitelman, Warren, 1-2, 2-37, 3-1, 3-7, R-7

TELE-A-GRAF, 3-5, R-1

terminals, 1-4

tesselations, see corner stitching, tesselations

TEX, 1-6, 2-1, 2-21, 2-24, 2-31, 2-34, 2-35, 2-40, 4-19, 5-9, R-5

TEXbook, The, 2-30, 2-32, 2-33, 2-34, 3-12, R-5

text compostion, 2-16

text editor program, 2-8, G-7

Thinglab, 5-35—5-36, R-2

Thomas, Elaine L., 3-6, R-7

three-dimensional images, 3-1

Tilbrook, David M., 5-15, 6-4, R-7

Times Roman typeface, 2-22, 2-38, 3-15, 5-17

Tioga, xii, 1-2, 2-37, 2-40, 3-8, 3-9, 5-46, 6-1

document model, 1-2, 3-7—3-9, 5-3, 5-20, 5-45

node properties, 3-9

style machinery, 1-2, 3-7, 3-15, 5-3, 5-45

text editor, 5-21

TiogaArtwork, 3-1, 3-6—3-7, 3-10, 3-13, 3-10, 3-13, 3-14, 3-15, 3-17, 3-18, 3-19, 3-20

topology, 4-4, 4-19, 5-3, 5-21

totals, 4-10, 4-14—4-15

touch-ups, 1-8

traditional graphic arts process, 2-1, 2-2—14

trajectories, 3-12

transfer lettering, 3-4, 4-12

transformations, 3-10, 3-12, 3-13, 3-14, 3-16, 3-17, 3-18, 3-19, 3-20

transposing tables, 4-13—4-14, 5-2

trapezoidal rule illustration, 3-12—3-13, 3-18—3-20

traps, 2-27, 2-28, see also diversions

troff, 1-9, 2-1, 2-20, 2-23, 2-24—2-29, 2-30, 2-35, 2-39, 3-5, 4-17, 4-18

bibliographic reference formatter, see refer

device-independent, 2-24, 2-28

ditroff, 2-24

equation formatter, see eqn, neqn

illustrations, see pic, ideal

limited registers, 2-27, 4-18, 4-20

macro packages, 1-9, 2-26

-me macro package, 2-26, R-1

-ms macro package, 1-9, 2-26, R-5

nroff, 2-24

performance issues, 4-20

porting to other devices, 2-24, 2-29

preprocessor interaction, 4-18, 5-9

table formatter, see tbl

Turing lecture, 2-24, R-6

two-dimensional layout, 4-1, 4-5—4-6, 4-7, 5-1, 5-2, 5-3

TWO-DIMENSIONAL PACKING problem, 5-4, 5-6, R-2

two-page spread, 4-15

typeface, G-7

Baskerville, 2-18, 2-38

bold typeface, 3-16, 4-10, 5-17

compressed, 4-13

typeface (continued)

Garamond, 2-18, 2-38

Helvetica, 3-15, 4-13, 5-17

italic, 1-11, 3-16, 4-10, 5-17

Times Roman, 2-22, 2-38, 3-15, 5-17

TYPESET, 1-5, 2-20, R-2

typewriter, 2-8, 4-7, 4-16

typist, 2-8

typographic grids, 5-13, 5-15

typographic rules, 4-6, 4-7, 4-10—4-11, 4-18, 5-2, 5-14, 5-21, 5-24, 5-25, 5-28, 5-30, 5-46

typography, 1-9, 4-2, G-7

Tyxset, 2-32, R-1

undo constraints, 5-36

undo, 6-2

University of Chicago Press, 2-2, 2-5, 4-11

University of North Carolina Press, 2-2

University of Texas Press, 2-2

University of Toronto Press, 2-2, 2-16

University of Waterloo, xi, 2-19, 2-21

UNIX, 2-24, 2-25

filter/pipe model, 2-25

stream model, 5-12

troff, see troff

writer's workbench, 2-8

Updike, Daniel Berkeley, 1-9, R-7

user interface, 2-39, 6-1

van Leunen, Mary-Claire, 1-6, 2-17, 2-40, R-7

van Wyk, Christopher J., 2-25, 3-6, 5-36, R-7

variable width characters, 2-24

vertical alignment, see alignment, vertical

vertical rule, 2-5, 2-16, 4-6, 4-10, 4-12, 4-18, 4-19, 5-14, 5-24, 5-28, G-7, see also typographic rules

views, 2-10, 2-18, 2-21, 2-40, 6-2, R-3

VLSI layout, 5-25

Warnock, John, 3-1, 3-7, 5-30, R-7

Waterloo Computer Typography, see WATTYPE

WATFIV-S, xii, 1-5, R-3

WATTYPE (Waterloo Computer Typography), xii, xiii, 1-5, 1-7, 1-8, 2-28

waxing machine, 2-13

weight of rule, 4-11

`what you see is almost what you get', 2-38

`what you see is what you get', see WYSIWYG

White, Alex R., xii, 3-5, R-7

whitespace, 2-22, 2-23, 2-30, 4-7, 4-8, 4-10, 4-13, 5-4, 5-8, 5-19, 5-20, 5-40, 6-3, G-7

wide tables, 4-15—4-16

widows, 2-23

Williamson, Hugh, 1-9, 2-5, 3-2, 3-4, 4-11, 4-13, 4-15, 5-15, R-7

Winograd, Terry, 2-11, R-7

Witten, Ian H., 2-27, R-7

wordspaces, 5-20, G-7

writer's workbench, 2-8, 2-29, R-5

writing tools, 2-8

Wyatt, Doug, xii, 3-1, 3-7, 5-30, R-7

WYSIWYG, 1-7, 1-9, 2-20, 2-33, 2-34, 2-36, 2-37, 2-38, 2-39, 3-10, 3-18, 4-19, 5-1, 5-11, 5-16, 5-21, 5-31, 5-46, G-7

Xanadu, 1-4, R-6

Xenix, 2-32

xerography inventor, 5-10

Xerox, 2-14

Xerox PARC, xi, 1-2, 2-4, 2-33, 2-37, 3-1, 3-5, 3-9, 3-19, 5-10, 6-1

Xerox Star, 2-1, 2-33, 2-36, 2-37, 2-38, 3-2, 3-6, 3-7, 3-20, 6-2

graphics, 2-36, 3-6, R-5

interface, 2-39

Yorktown formatting language (YFL), 2-26, R-4

Zabula-Salelles, Ignatio Andres, 3-5, R-7

Zeisel, Hans, 4-14, R-7