<> <> <<>> <> <<>> <> <> < >> << >> <> <<"none" can replace both and >> < >> <> GVMake Arnon.pa 4425 135 Strowger O 3 357 LarkA GVTune Arnon.pa tune "@500;EFA**G//gAB+>C-CcCCC%defeded**C**%" <> GVMake Barth.pa 4819 140 Strowger O 3 354 LarkA GVTune Barth.pa tune "@220;>c+/ccc%c*c+/%c*c+/c%%*c+/%cccc****%" GVMake Beach.pa 4822 173 Strowger O 3 337 LarkA GVTune Beach.pa both "@300;g>GGfedCe%Df%dcGGfedC@2400;%" GVTune Beach.pa tune "@600;A#a#/aa#>*c> GVMake CHauser.pa 4468 175 Strowger O 3 34 LarkA GVTune CHauser.pa tune "@240;aa*gf/fe*ea#/ag*deCCc**%+" <> GVMake Crow.pa 4848 126 Strowger O 3 33 LarkA GVTune Crow.pa tune "@120;ccC%ccC%ccF%G%A%ccC%ccF%aaG%E%C%****%" <> GVMake Diebert.pa 4433 117 Strowger O 3 331 LarkA GVTune Diebert.pa both "!3;@300;*%/>d/dd*dde*C/%dcE%D%CC@2400;%" GVTune Diebert.pa tune "@125;**G//gdGgdGga**b+g+>C//cc*> GVMake Fiala.pa 4435 144 Strowger O 3 351 LarkA GVTune Fiala.pa tune "@500;ggaf+#g-A**%" <> GVMake Gasbarro.pa 4803 111 Strowger O 3 274 LarkA GVTune Gasbarro.pa tune "@190;b+a-g+a-ba#bgaaa**a*%" GVMake Greene.pa 4476 102 Strowger O 3 323 LarkA GVTune Greene.pa both "@300;*%/%B>CDEE%FEDCDCC%%cdCC@2400;%" GVTune Greene.pa tune "@300;B>CDEEeDEAGEDCCEFGGgAGECE**D//D***%" GVMake Gunther.pa 4401 106 Strowger O 3 254 LarkA GVTune Gunther.pa tune "@500;g/g+g-*ge>c/c+c-<*bag/g+g-*a/g+g-*g/f+e-*D%**%+" <eD%/D/EF#GAB>C***D+%-<d**G" GVMake Hoel.pa 4862 121 Strowger O 3 256 LarkA GVTune Hoel.pa tune "@600;>c@600;ABGD**%+" <> GVMake Lamming.pa 4812 127 Strowger O 3 264 LarkA GVTune Lamming.pa tune "@240;*b+/b>cC%C%-> GVMake McCreight.pa 4839 137 Strowger O 3 310 LarkA GVTune McCreight.pa tune "@160;>CFACFACFAA%A#A%AG%GFF***%+" GVMake Monier.pa 4816 115 Strowger O 3 317 LarkA GVTune Monier.pa tune ">@600;ABGD**%+" GVMake Murray.pa 4452 125 Strowger O 3 313 LarkA GVTune Murray.pa tune "@120;>CFA>C++*C***%+" GVMake Pavel.pa 4497 172 Strowger O 131 25 LarkA GVTune Pavel.pa tune ">@330;d+c+dc-c-d+//C> GVMake PeterKessler.pa 4472 161 Strowger O 3 332 LarkA GVTune PeterKessler.pa tune "@500;*e+//(f#ed)**e+//(ede)*AAAA***%" GVMake Pier.pa 4861 171 Strowger O 3 356 LarkA GVTune Pier.pa both "@300;*%/GA>CE*A+/G-A-*G/(GF#F)**E//Fa(gf#f)**E@2400;%" GVTune Pier.pa FALSE "**f/a#+/a#***a#/f/>c+/cfc/dc*c> GVMake PolleZ.pa 4426 163 Strowger O 3 30 LarkA GVTune PolleZ.pa both "!1;@300;G/AG*F#gab*>C+d-/Edcd%CC@2400;%" GVTune PolleZ.pa tune "!2;@210;>C-d+E-*ffff/f+E-f+G-**g#//g+A#-*g#+/G-f+E-f+>C-C-<*f+**%+" GVMake Preas.pa 4845 176 Strowger O 3 311 LarkA <> GVMake Ritchie.pa 4460 145 Strowger O 131 51 LarkA GVTune Ritchie.pa both "@300;*%g-B>d-D#F-e-c-Eg-AG#->c-CCcCC#CC> GVMake Serlet.pa 4876 134 Strowger O 3 321 LarkA GVTune Serlet.pa tune "@150;>dDdd*g+g+a+a+>D+d/> GVMake Spreitzer.pa 4833 124 Strowger O 131 106 LarkA GVTune Spreitzer.pa both "@300;*%/%g>C/C**ED/%D/D**FE/%DC@2400;%" GVTune Spreitzer.pa tune "@340;Bba+a->Ccg/dd*d#D%f#G***%+" <> GVMake Stone.pa 4849 105 Strowger O 3 330 LarkA GVTune Stone.pa both "!4;@300;*%/>>C%CC@2400;%" GVTune Stone.pa tune "@800;>C/EG/C-D-*C+***%" <> GVMake Strowger.lark 4985 110 Strowger O none LarkA GVMake Sturgis.pa 4434 147 Strowger O 3 12 LarkA GVTune Sturgis.pa tune "@150;ggg%Gggg*g>ed> GVMake Sweet.pa 4406 104 Strowger O 3 335 LarkA GVTune Sweet.pa both "@300;(FgA-%-)(B>cD-%-)(EfF#-%-)GG%%G-A-gG%(FeD-%-)(CFeD-%-)CC@2400;%" GVTune Sweet.pa tune "@200;GG>c%*C+/%/EDEDEDCD**e+//%F**edC@2400;%" GVTune Swinehart.pa tune "@100;EF#GG+F#GAA+GABB+AGF#F#+EF#**GG**%" GVMake Terry.pa 4427 157 Strowger O 3 250 LarkA GVTune Terry.pa both "@300;*%/%/GG#AG#*g>/CDCDCD*cf+G-F%E%/CD*cCC@2400;%" GVTune Terry.pa tune "@600;A#a#/aa#>*cc+c*e+C+**%+" <> GVMake Wyatt.pa 4824 166 Strowger O 3 251 LarkA GVTune Wyatt.pa both "@300;*%/%ga#b>C%%E%D%gFEdC%D%CC@2400;%" GVTune Wyatt.pa tune "@140;>ag#*aef/ag#*abE***%" GVMake Yao.pa 4486 165 Strowger O 3 334 LarkA GVTune Yao.pa tune "@250;a>Ccde+f-eDd> <<>> <> <c+cd+c#-c> <> <D#EF#%A%A%E%E%.D#EF#%A%A%EEF#%&@130;>DDDDDDDDDDDDDDDDD%> <> <C-C-/cccc*DC> <> <<>> <<>> <> <<101 102 103 104 105 106 110 111 115 117 121 123 124 125 126 127 131 134 135 137 140 142 143 144 145 147 151 155 156 157 161 162 163 164 165 166 171 172 173 174 175 176 202>> <<>> <> <> <> <<100: Please exchange for Willie-Sue Orr's machine (#143, 2130)>> <<107: Please install in John Beatty's office (2350, x4850)>> <<114: Please install in Pradeep Sindhu's office (2212, x4846)>> <<160: Please exchange for Carl Hauser's machine (#175, 2150)>> <<167: Please install in Jules Bloomenthal's office (2324, x4827)>> <<177: Please exchange for Frank Crow's machine (#126, 2340)>> <<203: Please install in Stephen Ades' office (2124, x4421)>> <> <<2 telsets, 3 speaker/switch boxes, 1 mike, 1 speaker, 2 power cords, assorted cables>> <<>> <> <> <<120: Breadboard prototype "wall telephone" version of Lark. (works, I think)>> <<>> <> <<1 Etherphone speaker.>> <<>> <> <> <<>> <> <> <<116: In bits and pieces>> <<122: hot rock>> <<130: has been modified to test usefulness of variable resistance in impedence-match circuit; should be restored to standard configuration (that was a software bug) and tested.>> <<141: to be tested>> <<146: "very flakey, smell's hot" says the note>> <<150: to be tested>> <<152: telephone-circuit relays are/were stuck; wouldn't revert or unrevert or something.>> <<153: Lark in pod 34 demo room; should be swapped with total flakeola and tested.>> <<154: "buzzing noises in audio circuits", says the note.>> <<154: to be tested (two machines with same labels on the outside of the boxes!)>> <<170: in bits and pieces>> <<200: worked for a little while, then the crossbar or the equivalent failed -- no noises can be created anywhere.>> <<201: no Ethernet communications after power-on. "Hot rock">> <> <> <> <>